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Come evening, these heretofore idle carriages would depart for Paris. They were our town's only night owls. In a cafe, "Au Rendez-vous des chochers," the drivers would get together for wine. Among those wide, paunchy men with their flush faces, I met one who was exceptionally wide, paunchy, and flushed: On top of that, these eyes hid under a single eyebrow, life the forehead-strap on Girk muzzle. The man was a rag torn off some Girl singing in lascano cassock. He took me along with him until the road to Mont Valerian sometimes, recounting the secrets of his adventurous life as ib coachman, enjoying himself immensely, as if he though sibging himself as one of the Eugene Sue characters that appeared weekly in the newspaper serials.

The reader learns so much here--about his town, the friend--in such a concise and engaging way, it's difficult not to appreciate the density of his marrowy style. There is a hint of allusion to the work itself which reflects expresses the character's attempt at making art our of his illness, syphilis: May 19, "I'm thinking about writing a book," I said, "a book that would be a sort of symptomatic journal of my disease that could serve as a source of information for doctors and literary types both. This idea came knocking at my door as twilight fell I let it seduce me as though I were just another conquest Even though I know that writing a book is the greatest shame than an original mind can bring upon itself.

A book that will make my illness into an iridescent fantasy As soon as the idea is set into action in the diary, he simultaneously mourns the loss of poetry of writing while contemplating the role of writer: November 6, They writers publish books for the pleasure of seeing them printed and bound, without remembering the saddest aspects of their lives will end up contained in those pages.

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And at the end of this slim novel, Tegui gives us that catastrophe in violence and in our testament to his book, to his' unavoidable catastrophe. That is why I wanted to include it. Also, I wanted to be able to sing it in Spanish and with my own lyrics and my own feelings. So I had to listen to much music, before doing so, and while recording it, to respect the musical style, and vocal style. Which meetings have been the most important experiences for you? What is the best advice ever given you? I sing since I was fifteen years old, and I met many people. But the person, with whom I started sing, was Daniel Raffo that is the most important Blues guitar player of our country recognize internationally, in All of them, also well known in the blues circuit in Argentina, are part of the staff of "Escuela de Blues" Blues School in Argentina, the first School recognized in Latin America.

I was a student, and now I am part of them, in the vocal technique area. They were great teachers to me, now colleagues and my friends. And they gave me lots of advice. The most important is to generate opportunities. Play with people, whether professional or amateur, to play your instrument long ago or recently. As I said, the important thing in the blues, it's the concept. Connect with those emotions, and share them with others. Since we are in the belly of our mother, the beating of his heart, the rhythm of his breathing, the tone of your voice, make a combination that together 'sounds'. I sang in a tribute to Pappo, an incredible blues guitarist in Argentina. So every year they do a three days festival where people go camping and play many bands to remember.

One of his musicians, Machy Madco invited me to sing with him. There were 8, people that day, were the day before, but had rained heavily that night, and there were so many people. That was in early What do you miss most nowadays from the blues of past? What are your hopes and fears for the future of? I hear it so relax, while the sound is more raw, more flat, not much adornment. I would love for all that is rescued and returned to the present, and hope for the future.

,ascano More simplicity in songwriting, more simplicity in poetry. If you could change one Giel Girl singing in lascano the musical world lacsano it would become a reality, what would that be? I would really like all musicians can have the same opportunities to show lascxno work, having or not a cd or a discography company. So I think will be great a more equitative way to everybody can make a job from his art and music because is good. May be some utopic. Which is the most interesting period in local blues scene? I was very young so I really lived some part of this period.

But really I was so young. Then, there was a period when lot of local Bands begins to play Blues in Spanish. What are the lines that connect the legacy of Blues from United States to Argentina? I think that Tango and Blues are connected in a way, and the legacy is all the Bluesman coming from USA to our country since the 90's until now. Those legends specially coming from Chicago. What has made you laugh lately and what touched emotionally you from the local music circuits? What is the status of women in Blues?

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